Executive summary In recent times, people in Scotland pass on started to show a greater clasp of and interest in their ethnical identity. This spell is sh nuclear chip 18d by many around the world. There has been a renascence in the study of Scots history, literature, language, politics, sociology and culture all all over the last 20 eld, all of which has been led by the publics crave to know more about themselves and their country. The tourism industry is booming. Its quick growth has been one of the success stories of the post-war world. Now, more and more countries atomic number 18 competing for a share of the tourism stripe. International arrivals crossways the world have grown over 20 dummy up in the last l years. Globally, tourism now provides 10 % of world employment, 12 % of gross domestic product and is predicted to provide up to degree Celsius million new jobs by 2010. (Tourism, Culture and Communication, Hall 1999) I delimitate to look at the contribut ion the arts and cultural sectors become to the management of Scotlands tourism industry. I will focus primarily on the cultural structure which is in place in Scotland at the moment, and thus link this in with the more unambiguous benefits that tourism in general brings to the destination. The arts in Scotland at present is under(a) major reconstruction and new initiatives are being post in place which after years of underfunding.
The leash Bodies Three bodies constitute the holy trinity of Scottish heritage and culture: the Scottish tourist Board (or STB), Historic Scotland and the National Trust for Scotlan d. These bodies have different, crimson com! peting, approaches to heritage and culture. They operate as its entrepreneurs: They work on card each other, but with distinct aims and different organisational structures. Moreover, they are sting within a political and cultural framework which includes establishment departments... If you want to get a full essay, order it on our website: BestEssayCheap.com
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